Strömholm’s Beautiful Transsexuals

Originally posted 2016-08-14 10:15:42.

Strömholm ‘s Transsexuals: Les Amies de Place Blanche

Christer Strömholm (1918-2002) was ‘the father of Swedish photography’. A talented and influential photojournalist, he favoured direct contact with his subjects. He never ‘stole’ candid pictures and instead always had a relationship of some kind with the person or people he was photographing.

Christer Stromholm

For over a decade, beginning in 1958, Strömholm documented the lives of a group of transsexual women (male-to-female) living in an area of Paris called the Place Blanche. His body of work is remarkable. In 2011 Aman Iman Publishing in Paris republished it as Les Amies de Place Blanche. The price is a very reasonable 45 Euros.

Continue reading “Strömholm’s Beautiful Transsexuals”

Reflex-Reflection: Photography’s Genius

Originally posted 2016-07-19 19:21:49.

The unique mechanism by which photography distinguishes itself from every other visual art is something I call reflex-reflection.

Photography, although shunned by the establishment in its infancy, became the quintessential, defining art of the twentieth century.

This was not simply because photography’s roots were in the five decades immediately preceding the year 1900, nor that it blossomed, came to maturity and ultimately transformed with the ageing of the century itself.

Continue reading “Reflex-Reflection: Photography’s Genius”

2001 Panoramas at Ethie Woods, Angus

Originally posted 2018-10-06 11:00:50.

I took most of these pictures at Ethie Woods near Arbroath in Angus Scotland in 2001. Some were taken in our home in Arbroath. The camera was a Russian ‘Horizont’. this was a panoramic camera that used a swinging 28mm lens on 35mm film. The images were interesting but not really sharp. This was partly because the 28mm lens was not that sharp anyway, but also because the film had to be held in a curve so that it registered with the focal plane of the rotating lens. This was somewhat beyond the Russian technology of the day and since the lens could not be stopped down to reduce the consequences of this, the images suffered.

I sold the camera after a short while, but looking back, the somewhat soft-focus effect was really attractive in its own right.

 

books by rod fleming

Continue reading “2001 Panoramas at Ethie Woods, Angus”