Hot cross buns. That’s what this article is about. So why do I have a picture of a Roman sculpture of a bull’s head here instead of a nice snap of some hot cross buns?
Hot cross buns actually originated in Assyria as a part of worship of the Moon Goddess Ishtar. At least that is the earliest record we have of them. The Egyptians continued the tradition of offering cakes to their Moon-Goddess Hathor. They decorated the cakes with bull’s horns, as the ox was the preferred sacrifice of the Goddess. The cakes, therefore, were symbolic of the sacrificed bull, whose flesh would be eaten by worshippers.
Hathor has been identified with Ishtar and Astarte, who was worshipped by King Solomon, as mentioned in the Old Testament (1 Kings 11, 2), and to whom he erected a temple or shrine in Jerusalem.
The Goddess is a big deal in the Philippines and goddesses are out in strength there this week. The occasion is the closing rounds of the Universities Athletic Association of the Philippines (UAAP) women’s volleyball tournament, held at Smart Araneta Coliseum in Quezon City. Teams with names like De La Salle Lady Spikers and Ateneo de Manila Lady Eagles, the Tigresses, the Lady Warriors and the Lady Bulldogs battle it out in front of huge, enthusiastic and thoroughly partisan crowds. And these girls aren’t kidding; this is serious stuff.
The audience is mainly young – but everywhere in the Phils is mainly young. That’s only to be expected in a country where the population has increased by a factor of ten in fifty years. And there are as many men here as women. Filipinos are as passionate about volleyball as Scots are about football.
This is hard sport, and women are seen as true warriors.
Since 2002 I have been researching into something that I felt more than anything else. Something was nagging me. At the time I lived, as I do now, in France, and the signs of Goddess-worship were all around me. Cathedrals were full of images of the Goddess, the art replete with them. I could see this but I couldn’t define it, I couldn’t understand what it meant.
When I returned to Scotland I was a very busy man for a long time, building a house and trying to make ends meet from my freelance work, and also my own mother became ill and died, so the research went on hold. But it was always there in the back of my mind, and as I travelled round Scotland, that epicentre of dry Presbyterianism, I saw again and again the unmistakable mark of the Goddess all over the architecture and in the symbolism.
The Goddess was the principal focus of my Masters’ Degree research and even though I came a long way, I didn’t reach the answer I sought. When I came back to France I began to write, but in April of 2012 I had to stop. I was getting too confused.
I first read about the Songlines in the late Bruce Chatwyn’s eponymous book, and even then the concept fascinated me. The Songlines are massively complex, but essentially devolve to the creation mythology of the First Australians. In this, every animal had an anthropomorphic first ancestor—so there was Kangaroo-Man, Koala-Man, Lizard-Man and so on. Each human tribe is also derived from one of those ancestors. In the dawn of time, these ancestors walked through the world, literally singing it into existence.
The words they sang are the Songlines, handed down through the millennia of human life on the continent.
“Mounds, Long-barrows, Cairns, Cursus, Dolmens, Standing stones, mark-stones, Stone circles, Henges, Water-markers (moats, ponds, springs, fords, wells), Castle, Beacon-hills, Churches, Cross-roads, Notches in hills,”
Ley lines were invented by an Englishman called Alfred Watkins, who had spent much time cycling around the countryside near his home. In 1925, he wrote a book called The Old Straight Track, in which he described a revelation he’d had while looking at a map of Herefordshire four years earlier. He had suddenly seen a network of straight lines that connected points of human activity., like those in his quote above.
Time travel has fascinated us for over a century, leading to all sorts of speculation about it.
HG Wells wrote perhaps the first of the many books about this and, of course, the beloved Doctor Who is dependent on time travel.
Time Travel and Space
Wells’ vision, however entertaining, overlooked one major problem with time travel: even if you could move to a different when, establishing where that would be is staggeringly complex. The Earth is not stationary, indeed nothing in the Universe is. You would need to calculate precisely where in space you wanted to be at the time you wanted to be there. Suppose you just want to go back a week. It’s not just a matter of going back a week where you are now, because last week, where you are now was 11.25 million miles away.